Showing posts with label Swan Maiden. Show all posts
Showing posts with label Swan Maiden. Show all posts

Sunday, July 17, 2011

Selkies and Mermaids



Mermaid and Other Water Spirit Tales From Around the World

I was asked last week in one of the blog comments if selkies appear in Mermaid and Other Water Spirit Tales From Around the World. The answer is, yes, they do, but not to a great extent. They appear in about five pages of the 800+ page book. As I edited the book, I was inundated with mermaid lore from Scotland and Ireland where selkies also capture the imagination. I chose to concentrate on the mermaid tales although selkies get a solid appearance in one article I included by R. J. Arnott. Scottish, Irish and English lore dominates the collection so selkies had to take a back seat under the "other" category, especially where outright mermaid tales were abundant.

On a related note, I have a Swan Maidens collection in the works with a late 2012 release date at this time. Most selkie tales are closely related to Swan Maiden tales so a section devoted to them is planned for that volume.

Here's an excerpt R. J. Arnott's article on "Scottish Mermaids" which appears in the book:

A still closer relationship, however, than is generally recognised, subsists between the seals and the semi-human denizens of the ocean. In Orkney and Shetland “selkie” is the popular name for the seal; and those of the larger species are often called “selkie-folk,” because they are supposed to have the power of turning into men and women. According to one statement, the original “selkie-folk” were fallen angels, who were condemned to this condition because of some fault, not serious enough to necessitate their consignment to the infernal regions. According to another version, they were human beings who, as a punishment for some wrong committed, were condemned to assume the form of the seal and to live in the sea, being only allowed to revert to their human character at certain periods and conditions of the tide, when they were on dry land. When they have doffed their sealskins, these “selkie-folk,” of both sexes, are said to be particularly striking for their beauty of feature and fairness of form, and sad havoc have they been known to play with the affections of the sons and daughters of the coast. It is believed to this day in some parts of the islands of the north that a certain horny growth on the palms of the hands and the soles of the feet denotes descent from one of the “selkie-folk,” this being the result of an attempt to cut away the webbed membrane appearing between the fingers and toes of the original offspring. There is, by the way, a beautiful legend that when a young and fair maiden is lost at sea she is not drowned, but taken captive by the “selkie-folk,” and becomes the bride of one of them. One curious characteristic about these creatures is that they are never known to appear alone (as is almost invariably the case with the mermaid), but always in groups, basking in the sunshine or gambolling about on some sea-surrounded skerry, with their sealskins lying beside them on the rock. The moment the alarm is given of the approach of anyone, they make a dash for their furry garments, and donning them, are immediately seals again, and plunge into the sea and make off.

Tuesday, February 8, 2011

Short Film: The Hunter and the Swan Discuss Their Meeting

The Sundance Film Festival is over for another year. One of the official selections featured at the festival was The Hunter and the Swan Discuss Their Meeting, a short film by Emily Carmichael that draws inspiration from The Swan Maiden body of folklore.

The short is available for viewing in its entirety through Sundance on YouTube and I am embedding it below. Do be aware that it has nudity that is blurred out. The short description is:

A Brooklyn couple have dinner with a hunter and his girlfriend, a magical swan woman. It doesn't go well.

From Q&A w/ Sundance filmmaker Emily Carmichael “The Hunter and the Swan…”written by Jason Sondhi:

What kind of statement were you going for with the contrast between the two couples?

Well it’s definitely that the couple with the more magical origin story has the less stable relationship. Also that the Hunter and Swan are a very gender-classic couple, but the Other Couple is a little switched in that the guy is a little more gentle and sentimental than the girl. I’ve always known lots of very sensitive men and very outspoken women, so to me they feel like a very familiar pair.


Walk us through the development process of the story and the production.

I wrote some of the film when I was back at my parents apartment looking at this old Time Life book of “Fairies and Elves” that I had. I showed it to a few people, including Josh (Kid Can Drive Producer Josh Hetzler) who really wanted me to finish it so we could make the movie. I write a lot of little fragments of things that lie around in various ways, so it was good to have someone there saying “THAT one.” Most of the crew are longtime collaborators of Josh’s, he has a little team/family/biker gang that go with him from project to project. Cara Francis played a big role in helping cast–Elizabeth Stewart, Lauren Sharpe and Brendan Donaldson are all friends of hers. Ryan Link just responded to an ad and came in to read.

There's a lot more in the article so click through to read more if you are interested. You can also visit the official film site. For now, here is the film:

Wednesday, June 17, 2009

Swan Lake Ballet & Anna Pavlova


Here is Anna Pavlova's tutu for the her role in Swan Lake, one of the most famous of all the fairy tale and folklore based ballets. This was displayed in a special exhibit in the Opéra de Paris Garnier in Paris. Of course, in the U.S. the opera house is perhaps most famous as the residence of the Phantom of the Opera, but it has hosted many famous performers and performances, including Pavlova. The costume was designed by Leon Bakst for her role as the white swan in 1905.

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